{"id":7006,"date":"2026-10-29T15:28:08","date_gmt":"2026-10-29T14:28:08","guid":{"rendered":"https:\/\/leherpeurparis.com\/?p=7006"},"modified":"2026-10-29T15:29:45","modified_gmt":"2026-10-29T14:29:45","slug":"loeil-art-basel-2026","status":"publish","type":"post","link":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/","title":{"rendered":"L\u2019\u0152il Art Basel 2026"},"content":{"rendered":"
\n
\"ALT
\u00a9<\/strong><\/em> Manuel Mathieu<\/a><\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n

Quand les artistes contemporains transforment la mati\u00e8re, la m\u00e9moire et la ville en espaces de r\u00e9sistance.<\/em><\/em><\/strong><\/em><\/h2>\n\n\n\n

La semaine derni\u00e8re, Art Basel Paris<\/a><\/strong> r\u00e9affirmait son r\u00f4le de carrefour de l’art contemporain, faisant vibrer la capitale entre le Grand Palais et un programme public d\u00e9ploy\u00e9 dans toute la ville. Cette nouvelle \u00e9dition met \u00e0 l’honneur des d\u00e9marches artistiques o\u00f9 la mati\u00e8re devient l\u2019\u00e9missaire privil\u00e9gi\u00e9 des r\u00e9cits politiques, des qu\u00eates identitaires et des r\u00e9inventions formelles. Des projets immersifs hors les murs aux propositions artistiques en galerie, les artistes invit\u00e9s dialoguent avec les blessures de l’Histoire, d\u00e9construisent nos modes de perception et r\u00e9occupent l’espace urbain pour donner \u00e0 voir de nouvelles formes de m\u00e9moire et de consolation.<\/p>\n\n\n\n

M\u00e9moire, cicatrices et contre-archives<\/strong><\/strong><\/h2>\n\n\n\n
\n
\n
\n

L’histoire contemporaine s’\u00e9crit dans les failles des institutions. Chez Denilson Baniwa<\/a><\/strong>, le feu rev\u00eat une double valeur symbolique\u00a0: \u00e0 la fois outil ancestral de r\u00e9g\u00e9n\u00e9ration (le \u2018coivara\u2019<\/em>) et sympt\u00f4me de l\u2019abandon institutionnel lors du dramatique incendie du Mus\u00e9e national du Br\u00e9sil. En conservant ces cendres \u00e0 l\u2019int\u00e9rieur d’un petit cabinet con\u00e7u comme une \u2018contra-archive\u2019<\/em>, l’artiste r\u00e9clame un espace de lutte et de r\u00e9sistance.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\"ALT
\u00a9<\/strong><\/em> Denilson Baniwa<\/a><\/strong><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
\n
\n
\"ALT
\u00a9<\/strong><\/em> Manuel Mathieu<\/a><\/strong><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\n

Ce soin apport\u00e9 aux fragments de la m\u00e9moire collective fait \u00e9cho au travail de Manuel Mathieu<\/a><\/strong>. \u00c0 travers une abstraction intuitive o\u00f9 la mati\u00e8re se m\u00e9tamorphose, l’artiste ha\u00eftien explore la r\u00e9silience, la transmission et l’identit\u00e9. Il trace des cartes psychologiques entre blessures intimes et m\u00e9moire collective.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

La mati\u00e8re comme corps et sensation<\/strong><\/strong><\/h2>\n\n\n\n
\n
\n
\n

\u00c0 l’oppos\u00e9 de certaines repr\u00e9sentations lisses, la peinture et la sculpture s’imposent ici par leur densit\u00e9 physique. Milton Resnick<\/a><\/strong> pousse l’expressionnisme abstrait \u00e0 ses limites, faisant fondre la ligne et le contour sous d’\u00e9pais \u00ab murs de peinture \u00bb o\u00f9 le geste s’absorbe dans la mati\u00e8re. <\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\"\"
\u00a9<\/strong><\/em> Milton Resnick<\/a><\/strong><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
\n
\n
\"ALT
\u00a9<\/strong><\/em> Nour Mobarak<\/a><\/strong><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\n

Cette notion de geste trouve un r\u00e9pondant contemporain chez Nour Mobarak<\/a><\/strong>. Ses empreintes corporelles, fix\u00e9es dans une r\u00e9sine \u00e9poxy, cr\u00e9ent une sensation d\u2019imm\u00e9diatet\u00e9 euphorique. <\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n

De son c\u00f4t\u00e9, Beaux Mendes<\/a><\/strong> renouvelle la peinture \u2018neo-en-plein-air\u2019<\/em> en associant ses figures v\u00e9g\u00e9tales \u00e0 des supports organiques ou min\u00e9raux (peau d’animal, poudre de marbre sur mousseline). Il fige des silhouettes et des formes dans un \u00e9tat d’apparition \u00e9vanescent et pur.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\"ALT
\u00a9<\/strong><\/em> Beaux Mendes<\/a><\/strong> <\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n

D\u00e9constructions et recompositions<\/strong><\/strong><\/h2>\n\n\n\n
\n
\n
\"ALT
\u00a9<\/strong><\/em> Rodrigo Torres<\/strong><\/a><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\n

Le paysage et le quotidien se transforment sous le regard d’artistes qui questionnent la fabrication des images. Rodrigo Torres<\/strong> <\/a>d\u00e9structure l’exp\u00e9rience urbaine \u00e0 travers le collage. Par le chevauchement de r\u00e9f\u00e9rences et de textures, il cr\u00e9e des d\u00e9calages optiques o\u00f9 la mati\u00e8re visuelle est mouvante. <\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n

O Bastardo<\/a><\/strong>, form\u00e9 au graffiti, tisse quant \u00e0 lui une peinture figurative et autobiographique qui fait dialoguer les codes de la rue et le langage pictural classique. <\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\"ALT
\u00a9<\/strong><\/em> O Bastardo<\/a><\/strong><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
\n
\n
\"ALT
\u00a9<\/strong><\/em> Nat Faulkner<\/a><\/strong> <\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\n

Enfin, Nat Faulkner<\/a><\/strong> joue avec la logique de la photographie traditionnelle et de la chimie. Dans Untitled (Flower I<\/em>), il laisse le hasard des r\u00e9actions en chambre noire dicter les teintes de l\u2019image. La m\u00e9tamorphose prime sur le r\u00e9el et fait de l\u2019\u0153uvre le document de sa propre fabrication.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Miu Miu & Alice Diop : \u00ab Geste de consolation <\/a>\u00bb au Palais d\u2019I\u00e9na<\/strong><\/strong><\/strong><\/h2>\n\n\n\n
\n
\n

Pour sa troisi\u00e8me ann\u00e9e en tant que partenaire officiel du programme public d’Art Basel Paris,\u00a0Miu Miu a invit\u00e9 la r\u00e9alisatrice fran\u00e7aise\u00a0Alice Diop \u00e0 concevoir le projet \u2018Geste de consolation\u2019 au\u00a0<\/a>Palais d\u2019I\u00e9na \u00e0 Paris. <\/p>\n\n\n\n

Prolongeant son film Fragments for Venus<\/em>, l’exposition orchestr\u00e9e par la cin\u00e9aste imagine un parcours de r\u00e9paration face au regard f\u00e9tichisant de l’histoire de l’art sur les femmes noires. Du premier choc photographique sign\u00e9 Zanele Muholi<\/a> \u00e0 l’installation vid\u00e9o d\u2019Alice Diop, le public traverse ensuite une vaste biblioth\u00e8que immersive (Chambre \u00e0 soi<\/em>) et assiste \u00e0 des performances \u00e0 la puissance cathartique (imagin\u00e9es par la chor\u00e9graphe Nadia Beugr\u00e9, ou encore par la compositrice Angel Bat Dawid). Alice Diop parvient \u00e0 transformer l\u2019exp\u00e9rience du spectateur en acte d’\u00e9mancipation\u00a0: le public n’est pas un observateur passif, mais devient partie prenante d’une installation, o\u00f9 les regards crois\u00e9s r\u00e9inventent la notion de consolation, de transmission et de m\u00e9moire collective.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"ALT
\u00a9<\/strong><\/em> Sentinel (Mami Wata), Simone Leigh<\/a><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"ALT
\u00a9<\/strong><\/em> Installation vid\u00e9o Alice Diop<\/em><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"ALT
\u00a9<\/strong><\/em> Chambre \u00e0 soi<\/em><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n

Kutlu\u011f Ataman : la polyphonie humaine de \u00ab K\u00fcba \u00bb<\/strong><\/strong><\/strong><\/strong><\/h2>\n\n\n\n
\n

Pr\u00e9sent\u00e9e par la galerie Niru Ratnam, l’installation majeure K\u00fcba<\/em> (2004) de l’artiste turc Kutlu\u011f Ataman<\/a><\/strong> investit l’espace public avec une force documentaire inchang\u00e9e. Au milieu d’un assemblage de fauteuils et de meubles de r\u00e9cup\u00e9ration, 40 t\u00e9l\u00e9viseurs diffusent en continu les r\u00e9cits de vie des habitants de K\u00fcba. Sans hi\u00e9rarchie narrative, les voix, les peurs et les r\u00eaves des r\u00e9sidents s’entrecroisent. En d\u00e9ambulant d’\u00e9cran en \u00e9cran, le spectateur recompose le portrait d’une communaut\u00e9 forg\u00e9e par la marginalisation, la migration et la solidarit\u00e9.<\/p>\n<\/div>\n\n\n\n

\n
\n
\"ALT
\u00a9<\/strong><\/em> Kutlu\u011f Ataman<\/a><\/strong><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n

Tracey Emin : la trajectoire des corps dans l’espace public<\/strong><\/strong><\/strong><\/strong><\/strong><\/h2>\n\n\n\n
\n

D\u00e9ploy\u00e9 hors-les-murs par la galerie White Cube, un ensemble de trois sculptures monumentales en bronze de Tracey Emin<\/a><\/strong> habite le paysage parisien en explorant les \u00e9tats successifs de l’intime et de la vuln\u00e9rabilit\u00e9. \u00c0 travers I Lay Here For You<\/em>, I Followed You to the End<\/em> et I Will Not Be Alone<\/em>, l’artiste britannique retrace le passage de la soumission \u00e0 la r\u00e9silience. Le corps f\u00e9minin s’y d\u00e9pouille de l’all\u00e9gorie pour devenir une incarnation collective de la force et de l’endurance.<\/p>\n<\/div>\n\n\n\n

\n
\n
\"ALT
\u00a9<\/strong><\/em> I Lay Here For You<\/em>, Tracey Emin<\/a><\/strong><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"ALT
\u00a9<\/strong><\/em> I Followed You to the End<\/em>, Tracey Emin<\/a><\/strong><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"ALT
\u00a9<\/strong><\/em> I Will Not Be Alone<\/em>, Tracey Emin<\/a><\/strong><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

En faisant dialoguer les exp\u00e9rimentations mat\u00e9rielles pr\u00e9sent\u00e9es en galerie avec les interventions politiques et po\u00e9tiques du programme hors-les-murs, Art Basel<\/a> Paris 2026<\/strong> d\u00e9passe le simple cadre de la foire commerciale. De la r\u00e9paration des r\u00e9cits occult\u00e9s au Palais d\u2019I\u00e9na aux corps sculpt\u00e9s dans l’espace public, cette \u00e9dition t\u00e9moigne de la capacit\u00e9 de l’art \u00e0 transformer nos repr\u00e9sentations et \u00e0 offrir des espaces collectifs de r\u00e9silience. Une travers\u00e9e parisienne intense qui rappelle que la cr\u00e9ation contemporaine reste, avant tout, un puissant outil de reconqu\u00eate du regard.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
D\u00e9couvrir nos articles pr\u00e9c\u00e9dents<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n
\n
\"\"<\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Quand les artistes contemporains transforment la mati\u00e8re, la m\u00e9moire et la ville en espaces de r\u00e9sistance. La semaine derni\u00e8re, Art Basel Paris r\u00e9affirmait son r\u00f4le de carrefour de l’art contemporain, […]<\/p>\n","protected":false},"author":3,"featured_media":7007,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[147,155],"tags":[214,258,257,195],"class_list":["post-7006","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-deco","category-prospective","tag-design","tag-interieur","tag-maison-et-objet","tag-prospective"],"acf":[],"yoast_head":"\nL\u2019\u0152il Art Basel 2026 | LeherpeurParis<\/title>\n<meta name=\"description\" content=\"Art Basel Paris 2026 : d\u00e9codage des tendances majeures, des projets immersifs hors les murs aux propositions artistiques en galerie.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019\u0152il Art Basel 2026 | LeherpeurParis\" \/>\n<meta property=\"og:description\" content=\"Art Basel Paris 2026 : d\u00e9codage des tendances majeures, des projets immersifs hors les murs aux propositions artistiques en galerie.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/\" \/>\n<meta property=\"og:site_name\" content=\"LeherpeurParis\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-29T14:28:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-29T14:29:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2026\/10\/Art-Basel-Paris-2026-Galerie-Poggi-photo-Younes-Lagrouni-7-1300x976.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1502\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Morgane\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Morgane\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/\"},\"author\":{\"name\":\"Morgane\",\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/#\\\/schema\\\/person\\\/5836b46e700c1b6bada2f21f963569bf\"},\"headline\":\"L\u2019\u0152il Art Basel 2026\",\"datePublished\":\"2026-10-29T14:28:08+00:00\",\"dateModified\":\"2026-10-29T14:29:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/\"},\"wordCount\":1097,\"publisher\":{\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leherpeurparis.com\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/Art-Basel-Paris-2026-Galerie-Poggi-photo-Younes-Lagrouni-7-1300x976.jpg\",\"keywords\":[\"design\",\"int\u00e9rieur\",\"maison et objet\",\"prospective\"],\"articleSection\":[\"deco\",\"prospective\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/\",\"url\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/\",\"name\":\"L\u2019\u0152il Art Basel 2026 | LeherpeurParis\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leherpeurparis.com\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/Art-Basel-Paris-2026-Galerie-Poggi-photo-Younes-Lagrouni-7-1300x976.jpg\",\"datePublished\":\"2026-10-29T14:28:08+00:00\",\"dateModified\":\"2026-10-29T14:29:45+00:00\",\"description\":\"Art Basel Paris 2026 : d\u00e9codage des tendances majeures, des projets immersifs hors les murs aux propositions artistiques en galerie.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leherpeurparis.com\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/Art-Basel-Paris-2026-Galerie-Poggi-photo-Younes-Lagrouni-7-1300x976.jpg\",\"contentUrl\":\"https:\\\/\\\/leherpeurparis.com\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/Art-Basel-Paris-2026-Galerie-Poggi-photo-Younes-Lagrouni-7-1300x976.jpg\",\"width\":2000,\"height\":1502},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/prospective\\\/loeil-art-basel-2026\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"L\u2019\u0152il Art Basel 2026\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/\",\"name\":\"LeherpeurParis\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/#organization\",\"name\":\"Leherpeur Paris\",\"url\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leherpeurparis.com\\\/wp-content\\\/uploads\\\/2022\\\/07\\\/Logo-Leherpeur-Paris.jpg\",\"contentUrl\":\"https:\\\/\\\/leherpeurparis.com\\\/wp-content\\\/uploads\\\/2022\\\/07\\\/Logo-Leherpeur-Paris.jpg\",\"width\":800,\"height\":300,\"caption\":\"Leherpeur Paris\"},\"image\":{\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.instagram.com\\\/leherpeurparis\\\/\",\"https:\\\/\\\/www.pinterest.fr\\\/mlcparis\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/bureauleherpeur\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/#\\\/schema\\\/person\\\/5836b46e700c1b6bada2f21f963569bf\",\"name\":\"Morgane\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/aaef38f8fe29ef71f7e7758786a4353dd80166c3783061e2e3029314f79a2142?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/aaef38f8fe29ef71f7e7758786a4353dd80166c3783061e2e3029314f79a2142?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/aaef38f8fe29ef71f7e7758786a4353dd80166c3783061e2e3029314f79a2142?s=96&d=mm&r=g\",\"caption\":\"Morgane\"},\"url\":\"https:\\\/\\\/leherpeurparis.com\\\/en\\\/author\\\/webmasterwa\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"L\u2019\u0152il Art Basel 2026 | LeherpeurParis","description":"Art Basel Paris 2026 : d\u00e9codage des tendances majeures, des projets immersifs hors les murs aux propositions artistiques en galerie.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/","og_locale":"en_US","og_type":"article","og_title":"L\u2019\u0152il Art Basel 2026 | LeherpeurParis","og_description":"Art Basel Paris 2026 : d\u00e9codage des tendances majeures, des projets immersifs hors les murs aux propositions artistiques en galerie.","og_url":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/","og_site_name":"LeherpeurParis","article_published_time":"2026-10-29T14:28:08+00:00","article_modified_time":"2026-10-29T14:29:45+00:00","og_image":[{"width":2000,"height":1502,"url":"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2026\/10\/Art-Basel-Paris-2026-Galerie-Poggi-photo-Younes-Lagrouni-7-1300x976.jpg","type":"image\/jpeg"}],"author":"Morgane","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Morgane","Est. reading time":"9 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/#article","isPartOf":{"@id":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/"},"author":{"name":"Morgane","@id":"https:\/\/leherpeurparis.com\/en\/#\/schema\/person\/5836b46e700c1b6bada2f21f963569bf"},"headline":"L\u2019\u0152il Art Basel 2026","datePublished":"2026-10-29T14:28:08+00:00","dateModified":"2026-10-29T14:29:45+00:00","mainEntityOfPage":{"@id":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/"},"wordCount":1097,"publisher":{"@id":"https:\/\/leherpeurparis.com\/en\/#organization"},"image":{"@id":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/#primaryimage"},"thumbnailUrl":"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2026\/10\/Art-Basel-Paris-2026-Galerie-Poggi-photo-Younes-Lagrouni-7-1300x976.jpg","keywords":["design","int\u00e9rieur","maison et objet","prospective"],"articleSection":["deco","prospective"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/","url":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/","name":"L\u2019\u0152il Art Basel 2026 | LeherpeurParis","isPartOf":{"@id":"https:\/\/leherpeurparis.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/#primaryimage"},"image":{"@id":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/#primaryimage"},"thumbnailUrl":"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2026\/10\/Art-Basel-Paris-2026-Galerie-Poggi-photo-Younes-Lagrouni-7-1300x976.jpg","datePublished":"2026-10-29T14:28:08+00:00","dateModified":"2026-10-29T14:29:45+00:00","description":"Art Basel Paris 2026 : d\u00e9codage des tendances majeures, des projets immersifs hors les murs aux propositions artistiques en galerie.","breadcrumb":{"@id":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/#primaryimage","url":"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2026\/10\/Art-Basel-Paris-2026-Galerie-Poggi-photo-Younes-Lagrouni-7-1300x976.jpg","contentUrl":"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2026\/10\/Art-Basel-Paris-2026-Galerie-Poggi-photo-Younes-Lagrouni-7-1300x976.jpg","width":2000,"height":1502},{"@type":"BreadcrumbList","@id":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-basel-2026\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leherpeurparis.com\/en\/"},{"@type":"ListItem","position":2,"name":"L\u2019\u0152il Art Basel 2026"}]},{"@type":"WebSite","@id":"https:\/\/leherpeurparis.com\/en\/#website","url":"https:\/\/leherpeurparis.com\/en\/","name":"LeherpeurParis","description":"","publisher":{"@id":"https:\/\/leherpeurparis.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leherpeurparis.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/leherpeurparis.com\/en\/#organization","name":"Leherpeur Paris","url":"https:\/\/leherpeurparis.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leherpeurparis.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2022\/07\/Logo-Leherpeur-Paris.jpg","contentUrl":"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2022\/07\/Logo-Leherpeur-Paris.jpg","width":800,"height":300,"caption":"Leherpeur Paris"},"image":{"@id":"https:\/\/leherpeurparis.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.instagram.com\/leherpeurparis\/","https:\/\/www.pinterest.fr\/mlcparis\/","https:\/\/www.linkedin.com\/company\/bureauleherpeur\/"]},{"@type":"Person","@id":"https:\/\/leherpeurparis.com\/en\/#\/schema\/person\/5836b46e700c1b6bada2f21f963569bf","name":"Morgane","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/aaef38f8fe29ef71f7e7758786a4353dd80166c3783061e2e3029314f79a2142?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/aaef38f8fe29ef71f7e7758786a4353dd80166c3783061e2e3029314f79a2142?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/aaef38f8fe29ef71f7e7758786a4353dd80166c3783061e2e3029314f79a2142?s=96&d=mm&r=g","caption":"Morgane"},"url":"https:\/\/leherpeurparis.com\/en\/author\/webmasterwa\/"}]}},"_links":{"self":[{"href":"https:\/\/leherpeurparis.com\/en\/wp-json\/wp\/v2\/posts\/7006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leherpeurparis.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leherpeurparis.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leherpeurparis.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/leherpeurparis.com\/en\/wp-json\/wp\/v2\/comments?post=7006"}],"version-history":[{"count":1,"href":"https:\/\/leherpeurparis.com\/en\/wp-json\/wp\/v2\/posts\/7006\/revisions"}],"predecessor-version":[{"id":7053,"href":"https:\/\/leherpeurparis.com\/en\/wp-json\/wp\/v2\/posts\/7006\/revisions\/7053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leherpeurparis.com\/en\/wp-json\/wp\/v2\/media\/7007"}],"wp:attachment":[{"href":"https:\/\/leherpeurparis.com\/en\/wp-json\/wp\/v2\/media?parent=7006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leherpeurparis.com\/en\/wp-json\/wp\/v2\/categories?post=7006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leherpeurparis.com\/en\/wp-json\/wp\/v2\/tags?post=7006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}