{"id":6488,"date":"2026-04-16T10:56:54","date_gmt":"2026-04-16T08:56:54","guid":{"rendered":"https:\/\/leherpeurparis.com\/?p=6488"},"modified":"2026-04-16T10:59:55","modified_gmt":"2026-04-16T08:59:55","slug":"loeil-art-paris-mutations-et-memoires","status":"publish","type":"post","link":"https:\/\/leherpeurparis.com\/en\/prospective\/loeil-art-paris-mutations-et-memoires\/","title":{"rendered":"L\u2019\u0152il Art Paris : Mutations et M\u00e9moires"},"content":{"rendered":"\n
\"Art
\u00a9<\/strong><\/em> @larabloy<\/a><\/em><\/figcaption><\/figure>\n\n\n\n


Et si l\u2019art ne servait plus \u00e0 r\u00e9parer le monde, mais \u00e0 sculpter ses m\u00e9tamorphoses ?<\/h2>\n\n\n\n

Si l\u2019\u00e9dition 2026 d\u2019Art Paris<\/a> <\/strong>s’est officiellement articul\u00e9e autour des concepts de \u00ab Babel \u00bb et de \u00ab La R\u00e9paration \u00bb, l\u2019Oeil LeherpeurParis s\u2019est concentr\u00e9 sur des courants plus souterrains comme l\u2019obsession du corps post-num\u00e9rique et la recomposition de la m\u00e9moire par l\u2019objet. Les artistes ne r\u00e9parent plus seulement le monde : ils le r\u00e9inventent \u00e0 travers le prisme du num\u00e9rique, des ondes et de l’archive intime.<\/p>\n\n\n\n

De l’Arch\u00e9ologie \u00e0 la M\u00e9moire <\/h2>\n\n\n\n
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\"Art
\u00a9<\/strong> @temboury<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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\"Art<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Nous sortons d\u2019une \u00e8re de consommation pure pour entrer dans celle de la responsabilit\u00e9 mat\u00e9rielle. Ici, l\u2019objet n\u2019est plus un r\u00e9but, mais une archive. En utilisant des objets collect\u00e9s ou des c\u00e9ramiques \u00e9voquant l’effondrement, des artistes comme Javier Carro Temboury<\/a> ou Duy M\u1ea1nh Nguy\u1ec5n<\/a><\/strong> transforment le r\u00e9sidu en r\u00e9cit. Ils soulignent une qu\u00eate de radicalit\u00e9 et de v\u00e9rit\u00e9. Une nouvelle \u00ab esth\u00e9tique de la trace <\/em>\u00bb, o\u00f9 rien ne se perd, tout devient m\u00e9moire.<\/p>\n\n\n\n

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\"Art
\u00a9<\/strong> @nguyenduymanh.art1<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Art<\/figure>\n<\/div>\n<\/div>\n\n\n\n

Le Corps \u00e0 l\u2019\u00e9preuve du Num\u00e9rique<\/h2>\n\n\n\n
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\"Art
\u00a9<\/strong> @larabloy<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Art<\/figure>\n<\/div>\n<\/div>\n\n\n\n

Chez <\/strong>Lara Bloy<\/strong> <\/a>ou Marc Ming Chan<\/a><\/strong>, la peau devient une surface sensible chez l\u2019une et cyborg chez l\u2019autre, oscillant entre le sublime classique et l\u2019artifice technologique. La peinture int\u00e8gre les codes visuels du digital (flash, saturation,…) pour traiter le sujet le plus classique : le corps humain. Un nouvel humanisme \u00ab augment\u00e9 \u00bb, o\u00f9 l\u2019\u00e9motion ne na\u00eet plus de la perfection, mais du flottement entre le r\u00e9el et le virtuel.<\/p>\n\n\n\n

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\"Art
\u00a9<\/strong> Marc Ming Chan<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

De l\u2019Art au syst\u00e8me Vivant<\/h2>\n\n\n\n
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\"Art
\u00a9<\/strong> @fabricehyber<\/a><\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n\n\n

La cr\u00e9ation ne se pense plus en silos, mais en r\u00e9seaux. L\u2019art devient une entit\u00e9 vivante qui mute et r\u00e9sonne. \u00c0 travers le travail de Fabrice Hyber<\/a><\/strong> ou les exp\u00e9riences acoustiques d\u2019Oliver Beer<\/a><\/strong>, l\u2019\u0153uvre d\u00e9passe son cadre physique. Elle devient un syst\u00e8me de pens\u00e9e, une fr\u00e9quence, un \u00e9change de donn\u00e9es et d\u2019\u00e9nergies.<\/p>\n\n\n\n

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\"Art
\u00a9<\/strong> @oliverbeerartist<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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L\u2019Intime comme R\u00e9sistance<\/h2>\n\n\n\n
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\"Art
\u00a9<\/strong> @juliettelemontey<\/a><\/figcaption><\/figure><\/div><\/div>\n\n\n\n
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\"Art<\/figure>\n<\/div>\n<\/div>\n\n\n\n

Face \u00e0 l’acc\u00e9l\u00e9ration du monde, une forme de peinture \u00ab lente \u00bb, introspective et presque silencieuse, s\u2019impose comme un acte de r\u00e9sistance. Juliette Lemontey<\/a><\/strong> et Clara Adolphs<\/a> <\/strong>capturent l\u2019abandon, le retrait et le quotidien banal avec une \u00e9conomie de moyens qui confine \u00e0 l\u2019essentiel. C\u2019est le retour du \u00ab Journal Intime \u00bb comme valeur refuge. Dans une soci\u00e9t\u00e9 de l\u2019hyper-exposition, le luxe de demain r\u00e9sidera dans ces moments de retrait, de vide et de dialogue soul-to-soul.<\/p>\n\n\n\n

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\"Art
\u00a9<\/strong> @clara.adolphs<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Art<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Qu’il s’agisse de r\u00e9parer nos liens ou d’inventer nos mutations, l’artiste devient le m\u00e9diateur indispensable d’un monde qui cherche son nouveau langage.<\/p>\n\n\n\n

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D\u00e9couvrir nos articles pr\u00e9c\u00e9dents<\/a><\/div>\n<\/div>\n\n\n\n
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\"\"<\/figure><\/div>","protected":false},"excerpt":{"rendered":"

Et si l\u2019art ne servait plus \u00e0 r\u00e9parer le monde, mais \u00e0 sculpter ses m\u00e9tamorphoses ? Si l\u2019\u00e9dition 2026 d\u2019Art Paris s’est officiellement articul\u00e9e autour des concepts de \u00ab Babel […]<\/p>\n","protected":false},"author":3,"featured_media":6503,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[155],"tags":[215,240,195],"class_list":["post-6488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-prospective","tag-art","tag-art-paris","tag-prospective"],"acf":[],"yoast_head":"\nL\u2019\u0152il Art Paris : Mutations et M\u00e9moires | LeherpeurParis<\/title>\n<meta name=\"description\" content=\"D\u00e9cryptage Art Paris 2026. 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