{"id":6185,"date":"2026-01-20T09:37:36","date_gmt":"2026-01-20T08:37:36","guid":{"rendered":"https:\/\/leherpeurparis.com\/?p=6185"},"modified":"2026-02-09T14:13:36","modified_gmt":"2026-02-09T13:13:36","slug":"loeil-maison-objet-passe-reveals-future","status":"publish","type":"post","link":"https:\/\/leherpeurparis.com\/en\/deco\/loeil-maison-objet-passe-reveals-future\/","title":{"rendered":"L\u2019\u0152il Maison & Objet 2026"},"content":{"rendered":"\n
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\u00a9<\/strong><\/em> @salomecousseau<\/a><\/em><\/figcaption><\/figure>\n\n\n\n


Et si le futur n’\u00e9tait plus contre le pass\u00e9 mais imagin\u00e9 \u00e0 partir de celui-ci ?<\/h2>\n\n\n\n

Cette \u00e9dition de Maison & Objet<\/a> se place sous le signe \u00ab Past reveals future \u00bb<\/em>. Un th\u00e8me qui ne convoque pas la nostalgie, mais invite \u00e0 une lecture plus fine du temps : celle d\u2019un futur qui ne se projette plus contre le pass\u00e9, mais \u00e0 partir de lui.<\/p>\n\n\n\n

Chez Leherpeur, notre regard s\u2019est naturellement port\u00e9 vers ce qui r\u00e9siste au spectaculaire imm\u00e9diat : le craft, le geste, le sensible<\/strong>. Des \u0153uvres o\u00f9 la main importe autant que la forme, o\u00f9 la mati\u00e8re devient langage, et o\u00f9 le temps long s\u2019impose comme un luxe contemporain.<\/p>\n\n\n\n

Le retour du geste comme valeur culturelle<\/h2>\n\n\n\n

\u00c0 travers notre s\u00e9lection, un constat ressort : le design contemporain ne cherche plus seulement \u00e0 innover par la technologie ou la forme, mais par la qualit\u00e9 du rapport \u00e0 la mati\u00e8re<\/strong>. Le geste artisanal n\u2019est plus d\u00e9coratif, il est structurant. Il raconte une temporalit\u00e9, une r\u00e9sistance \u00e0 l\u2019instantan\u00e9, une relation presque intime entre l\u2019objet et son environnement.<\/p>\n\n\n\n

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\u00a9<\/strong> @ateliervierkant<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Choisi par Thomas Haarmann<\/strong><\/a> pour le stand CURATIO, Atelier Vierkant<\/strong><\/a> d\u00e9ploie avec ses oeuvres une pr\u00e9sence presque architecturale. Les pi\u00e8ces, fa\u00e7onn\u00e9es \u00e0 la main en Belgique, imposent par leur taille autant que par leur ancrage. Texture, lumi\u00e8re, silence, chaque volume semble trouver sa forme d\u00e9finitive dans l\u2019espace qu\u2019il habite. Travailler l\u2019argile, c\u2019est accepter la r\u00e9ponse de la mati\u00e8re, elle se meut, s\u2019effondre, et surprend. Le geste devient conversation. <\/p>\n\n\n\n

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\u00a9<\/strong> @homa.art<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\u00c0 la crois\u00e9e de l\u2019art, du design et de la sculpture, HOMA<\/strong><\/a> traite la mati\u00e8re comme un sujet vivant. Verre, marbre, miroirs, m\u00e9taux naturels dialoguent dans un \u00e9quilibre subtil entre transparence et densit\u00e9. La collection Orbis<\/em> incarne cette id\u00e9e de transformation : du marbre recycl\u00e9 rena\u00eet autour d\u2019un fond r\u00e9fl\u00e9chissant. La pierre semble fig\u00e9e dans un mouvement de propagation, comme suspendue dans le temps.<\/p>\n\n\n\n

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\u00a9<\/strong> @mineralseries<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Mineral Series<\/strong><\/a> ne fa\u00e7onne pas, elle laisse advenir. Cristaux, min\u00e9raux et oxydes se d\u00e9veloppent lentement autour d\u2019objets immerg\u00e9s, sans colle ni artifices. Chaque pi\u00e8ce est le r\u00e9sultat d\u2019un temps incompressible, celui de la cristallisation. Dans une soci\u00e9t\u00e9 acc\u00e9l\u00e9r\u00e9e, ces objets rappellent que la nature impose toujours son propre rythme. Le designer ne domine pas, mais accompagne le processus qui deviendra la forme.<\/p>\n\n\n\n

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\u00a9<\/strong> @uniqka<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Chez Uniqka<\/strong><\/a>, le cuir devient un v\u00e9ritable langage de design. Travaill\u00e9 comme une mati\u00e8re structurelle et sensible, il fa\u00e7onne des pi\u00e8ces sculpturales o\u00f9 l\u2019\u00e9quilibre entre forme, texture et usage est central. Mat\u00e9riau signature de la maison, le cuir est envisag\u00e9 comme une ressource durable : organique, r\u00e9parable et issue d\u2019une logique d\u2019upcycling. Au-del\u00e0 des objets, Uniqka d\u00e9fend une vision engag\u00e9e du design : conscient, p\u00e9renne, et pens\u00e9 pour traverser le temps sans perdre sa force expressive.<\/p>\n\n\n\n

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\u00a9<\/strong> @rosannaneodesign<\/a><\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n\n\n

Partant d\u2019un fil de caoutchouc trouv\u00e9 en quincaillerie un jour, Rosanna Contadini<\/strong><\/a> de Neo d\u00e9veloppe un univers vaste entre sacs, colliers, paniers, poufs. Le geste est simple, presque instinctif, mais le r\u00e9sultat est sensuel. Le design na\u00eet ici de l\u2019exp\u00e9rimentation, de l\u2019intuition, du d\u00e9tournement. Une preuve que la cr\u00e9ativit\u00e9 peut se nourrire de mat\u00e9riaux modestes, regard\u00e9s autrement.<\/p>\n\n\n\n

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\u00a9<\/strong> @salomecousseau<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Entre bijou, sculpture et mobilier, les cr\u00e9ations de Salom\u00e9 Cousseau<\/strong><\/a> c\u00e9l\u00e8brent des formes g\u00e9n\u00e9reuses, polies \u00e0 la main. Pierres, bois, laiton, argent : chaque \u00e9l\u00e9ment est travaill\u00e9 selon des techniques traditionnelles de bijouterie contemporaine.
Ses pi\u00e8ces convoquent des imaginaires f\u00e9minins, organiques, parfois marins. Elles transforment l\u2019espace int\u00e9rieur en un lieu sensible, presque narratif.<\/p>\n\n\n\n

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\u00a9<\/strong> @beppeborella<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Depuis des ann\u00e9es, Beppe Borella<\/a><\/strong> d\u00e9tourne les ic\u00f4nes de notre enfance pour les figer dans le marbre. Des figures surdimensionn\u00e9es, \u00e0 la fois ludiques et monumentales. Le contraste est marqu\u00e9 entre la l\u00e9g\u00e8ret\u00e9 du souvenir et la duret\u00e9 de la pierre. Une r\u00e9flexion sur la soci\u00e9t\u00e9 contemporaine, ses mythes, ses nostalgies, rendue intemporelle par le mat\u00e9riau.<\/p>\n\n\n\n

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\u00a9<\/strong> @konradkoppold<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Avec Konrad Koppold<\/strong><\/a> le tournage sur bois est \u00e9lev\u00e9 au rang de sculpture. Les parois fines, les formes \u00e9pur\u00e9es et les fissures naturelles racontent un travail lent, pr\u00e9cis, profond\u00e9ment incarn\u00e9. Chaque pi\u00e8ce conserve les traces de la mati\u00e8re vivante, ses tensions, ses retraits. Le geste n\u2019efface pas l\u2019imperfection mais la sublime.<\/p>\n\n\n\n

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\u00a9<\/strong> @divincenzopoujoula<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

S\u00e9lectionn\u00e9s pour l\u2019espace What\u2019s New? In Decor<\/em>, les pi\u00e8ces de Di Vincenzo Poujoula <\/strong><\/a>dialoguent avec une sc\u00e9nographie inspir\u00e9e de l\u2019architecture n\u00e9oclassique. La terre est leur langage commun. Le gr\u00e8s, cuit \u00e0 tr\u00e8s haute temp\u00e9rature, garantit une durabilit\u00e9 et une robustesse. Une approche o\u00f9 la cr\u00e9ation contemporaine s\u2019inscrit dans une logique presque arch\u00e9ologique : cr\u00e9er aujourd\u2019hui des objets capables de traverser le temps.<\/p>\n\n\n\n

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\u00a9<\/strong> @nathanaellelobjoy<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Papier, lumi\u00e8re, motifs floraux dessin\u00e9s \u00e0 l\u2019encre. Les cr\u00e9ations de Nathana\u00eblle Lobjoy<\/strong><\/a> c\u00e9l\u00e8brent la d\u00e9licatesse. Chaque luminaire devient un paysage v\u00e9g\u00e9tal suspendu. Un design \u00e0 la fois unique et intemporel, o\u00f9 la fragilit\u00e9 devient force.<\/p>\n\n\n\n

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Maison & Objet<\/a> 2026<\/strong> r\u00e9v\u00e8le un design o\u00f9 le futur se dessine \u00e0 travers le respect du geste, du temps et de la mati\u00e8re. Un design moins d\u00e9monstratif, mais plus profond. <\/p>\n\n\n\n

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D\u00e9couvrir nos articles pr\u00e9c\u00e9dents<\/a><\/div>\n<\/div>\n\n\n\n
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Et si le futur n’\u00e9tait plus contre le pass\u00e9 mais imagin\u00e9 \u00e0 partir de celui-ci ? Cette \u00e9dition de Maison & Objet se place sous le signe \u00ab Past reveals […]<\/p>\n","protected":false},"author":3,"featured_media":6186,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[147,155],"tags":[215,214,232],"class_list":["post-6185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-deco","category-prospective","tag-art","tag-design","tag-maison-objet"],"acf":[],"yoast_head":"\nL\u2019\u0152il Maison & Objet 2026 | LeherpeurParis<\/title>\n<meta name=\"description\" content=\"D\u00e9cryptage Maison & Objet 206. 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