{"id":6159,"date":"2025-12-23T12:06:45","date_gmt":"2025-12-23T11:06:45","guid":{"rendered":"https:\/\/leherpeurparis.com\/?p=6159"},"modified":"2026-02-03T13:51:53","modified_gmt":"2026-02-03T12:51:53","slug":"les-objets-creatifs-marquants-de-2025","status":"publish","type":"post","link":"https:\/\/leherpeurparis.com\/en\/prospective\/les-objets-creatifs-marquants-de-2025\/","title":{"rendered":"Les objets cr\u00e9atifs marquants de 2025"},"content":{"rendered":"\n
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\u00a9<\/strong><\/em> @gezeiten<\/a><\/em><\/figcaption><\/figure>\n\n\n\n


Et si l\u2019objet devenait un support de r\u00e9cit intime plut\u00f4t qu\u2019un simple produit \u00e0 consommer ?<\/strong><\/h2>\n\n\n\n


En 2025, Leherpeur Paris \u00e0 continu\u00e9 ses recherches sur la n\u00e9cessit\u00e9 de l\u2019objectif cr\u00e9atif.\u00a0 Celui-ci ne s\u2019est pas content\u00e9 d\u2019\u00eatre fonctionnel ou d\u00e9sirable. Cette ann\u00e9e, il est devenu trace<\/strong>, geste<\/strong>, et espace de dialogue<\/strong>. \u00c0 la crois\u00e9e de l\u2019artisanat, de la mati\u00e8re, du corps et de l\u2019exp\u00e9rience, ces objets racontent une \u00e9poque en qu\u00eate de sens, de lenteur et de pr\u00e9sence.<\/p>\n\n\n\n

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\u00a9<\/strong><\/em> @loewe<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Chez Loewe<\/a> AH25<\/strong>, l\u2019artisanat s\u2019exprime \u00e0 travers un corset m\u00e9tallique mouchet\u00e9e, compos\u00e9e d\u2019\u00e9pingles en laiton soud\u00e9es par @jean.atelier<\/a><\/strong>, rehauss\u00e9es de cristaux et de galets multicolores. Un travail d\u2019assemblage minutieux o\u00f9 le bijou devient architecture. La pierre, le m\u00e9tal, le geste : autant de signes d\u2019un luxe qui revendique la main, la patience et l\u2019imperfection comme valeur esth\u00e9tique.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\u00c0 Venise, la collaboration entre Jil Sander<\/a><\/strong>, FormaFantasma<\/a><\/strong> et Venini<\/a><\/strong> propose une s\u00e9rie de vases en verre souffl\u00e9 pr\u00e9sent\u00e9e lors de la Biennale d\u2019architecture. Pens\u00e9e comme un hommage au geste et \u00e0 l\u2019exp\u00e9rimentation, cette cr\u00e9ation interdisciplinaire red\u00e9finit le luxe par l\u2019unicit\u00e9 du fait main. Loin d\u2019un id\u00e9al standardis\u00e9, chaque pi\u00e8ce affirme ses variations, ses irr\u00e9gularit\u00e9s, faisant de l\u2019imperfection une force cr\u00e9ative et culturelle.<\/p>\n<\/div>\n\n\n\n

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\u00a9<\/strong><\/em> @jilsander<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\u00a9<\/strong><\/em> @newbalance <\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Pour la campagne New Balance<\/strong><\/a>, Open!<\/a><\/strong> et Srirat<\/a> <\/strong>convoquent la c\u00e9ramique comme langage visuel. Les cr\u00e9ations, photographi\u00e9es par Sam Nicklin<\/strong><\/a>, composent une mise en sc\u00e8ne aux tons terrestres, patin\u00e9s par le soleil et la poussi\u00e8re. Une esth\u00e9tique de l\u2019\u00e9quilibre et de la mati\u00e8re, o\u00f9 l\u2019objet artisanal annonce d\u00e9j\u00e0 une palette, un rythme, une attitude.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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L\u2019exposition [N]either [N]or<\/strong> de Issey Miyake<\/strong> <\/a>explore la rencontre entre v\u00eatements et objets en c\u00e9ramique. Dans un espace immersif aux faux-semblants, tissus suspendus et argile brute cohabitent sans hi\u00e9rarchie. Le pliss\u00e9 devient un lien sensible entre textile et c\u00e9ramique, prolongeant les gestes d\u2019un mat\u00e9riau \u00e0 l\u2019autre. L\u2019objet n\u2019est plus fig\u00e9 : il circule, il dialogue, il se transforme.<\/p>\n<\/div>\n\n\n\n

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\u00a9<\/strong><\/em> @isseymiyakeofficial<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\u00a9<\/strong><\/em> @chloe<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Chez Chlo\u00e9<\/a><\/strong>, la sneaker Chlo\u00e9 Kick<\/strong>, port\u00e9e par la danseuse contemporaine Helena Olmeda Duynslaeger<\/a><\/strong>, fusionne la rigueur d\u2019une chaussure de boxe avec la souplesse d\u2019un chausson de ballet. Cette campagne pr\u00e9sente un objet pens\u00e9 pour le mouvement, entre performance et d\u00e9licatesse, qui traduit une nouvelle approche du corps f\u00e9minin : libre, ancr\u00e9, mobile.\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Avec le court-m\u00e9trage The Tiger<\/strong> pour la campagne Gucci<\/a> SS26<\/strong>, l\u2019objet de mode s\u2019inscrit dans une narration cin\u00e9matographique. Plus qu\u2019un v\u00eatement, il devient symbole, atmosph\u00e8re, fragment de r\u00e9cit. Le luxe se d\u00e9place vers l\u2019\u00e9motion et l\u2019imaginaire.<\/p>\n<\/div>\n\n\n\n

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\u00a9<\/strong><\/em> @gucci<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\u00a9<\/strong><\/em> @fashionneurosis_bellafreud<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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En parall\u00e8le, Bella Freud<\/a><\/strong> transforme le divan et le micro en objets culturels \u00e0 part enti\u00e8re avec Fashion Neurosis<\/a><\/em>. Le canap\u00e9 devient espace d\u2019introspection, la parole un mat\u00e9riau. \u00c0 travers la conversation, l\u2019objet immat\u00e9riel \u2014 le v\u00eatement comme langage identitaire \u2014 s\u2019impose comme un outil pour parler de sant\u00e9 mentale, d\u2019anxi\u00e9t\u00e9, de d\u00e9sir et de construction de soi.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Dans cette m\u00eame veine, DRESSED<\/strong>, publication imagin\u00e9e par Janneke van der Hagen<\/a><\/strong> en collaboration avec Monika Tatalovic<\/strong>, Saskia de Brauw<\/strong>, Linnea Mesko<\/strong> et Werk Studio<\/strong>, propose un autre regard sur l\u2019objet \u00e9ditorial. Pens\u00e9 comme un ensemble \u00e0 manipuler, DRESSED r\u00e9unit des posters pli\u00e9s en diagonale et un foulard en soie imprim\u00e9, r\u00e9unis dans un coffret sur mesure. Le tout est accompagn\u00e9 d\u2019un r\u00e9cit sign\u00e9 Saskia de Brauw<\/strong>, o\u00f9 l\u2019image, le texte et la mati\u00e8re dialoguent sans hi\u00e9rarchie.<\/p>\n<\/div>\n\n\n\n

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\u00a9<\/strong><\/em> @jannekevanderhagen<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\u00a9<\/strong><\/em> @soleinprotein<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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L\u2019objet 2025 est aussi nutritif et invisible. Avec Solein<\/a><\/strong>, prot\u00e9ine issue d\u2019un micro-organisme naturel, ni v\u00e9g\u00e9tal ni animal, l\u2019innovation alimentaire devient un objet prospectif majeur. Produite sans terre arable, avec un impact environnemental minimal, Solein red\u00e9finit notre rapport \u00e0 la nourriture : une mati\u00e8re nouvelle, capable de s\u2019int\u00e9grer aux usages existants.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Enfin, dans l\u2019univers du soin, la cosm\u00e9tique s\u2019affirme comme un objet de r\u00e9g\u00e9n\u00e9ration globale. Les formules combinant science, biotechnologie et sensorialit\u00e9 traduisent un besoin de r\u00e9paration et de protection plus douce face aux premiers signes du temps. Mais \u00e9galement une qu\u00eate de long\u00e9vit\u00e9 comme nouvelle religion dans le luxe.\u00a0<\/p>\n<\/div>\n\n\n\n

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\u00a9<\/strong><\/em> @gezeiten<\/a><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n


Pour conclure, l\u2019objet cr\u00e9atif de 2025 s\u2019\u00e9mancipe de la mat\u00e9rialit\u00e9 pure. Avec l\u2019installation sonore de C\u00e9leste Boursier-Mougenot<\/a><\/strong> \u00e0 la Bourse de Commerce, l\u2019objet devient exp\u00e9rience. Invisible, immat\u00e9riel, il se vit plus qu\u2019il ne se poss\u00e8de. Une vibration, un espace mental, une pr\u00e9sence.<\/p>\n\n\n\n

\u00a9<\/strong><\/em> @celesteboursiermougenot<\/em><\/a><\/figcaption><\/figure>\n\n\n\n
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D\u00e9couvrir nos articles pr\u00e9c\u00e9dents<\/a><\/div>\n<\/div>\n\n\n\n
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Et si l\u2019objet devenait un support de r\u00e9cit intime plut\u00f4t qu\u2019un simple produit \u00e0 consommer ? En 2025, Leherpeur Paris \u00e0 continu\u00e9 ses recherches sur la n\u00e9cessit\u00e9 de l\u2019objectif cr\u00e9atif.\u00a0 […]<\/p>\n","protected":false},"author":3,"featured_media":6182,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[164,155],"tags":[215,39,53,231],"class_list":["post-6159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-luxe","category-prospective","tag-art","tag-fashion","tag-luxe","tag-objet-creatis"],"acf":[],"yoast_head":"\nLes objets cr\u00e9atifs marquants de 2025 | LeherpeurParis<\/title>\n<meta name=\"description\" content=\"En 2025, Leherpeur Paris \u00e0 continu\u00e9 ses recherches sur la n\u00e9cessit\u00e9 de l\u2019objectif cr\u00e9atif. 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