{"id":4875,"date":"2024-10-22T16:05:32","date_gmt":"2024-10-22T14:05:32","guid":{"rendered":"https:\/\/leherpeurparis.com\/?p=4875"},"modified":"2025-02-07T11:14:34","modified_gmt":"2025-02-07T10:14:34","slug":"en-revue-les-rendez-vous-off-de-lart-basel","status":"publish","type":"post","link":"https:\/\/leherpeurparis.com\/en\/non-classifiee\/en-revue-les-rendez-vous-off-de-lart-basel\/","title":{"rendered":"En revue : Les rendez-vous OFF de l&#8217;Art Basel"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Frame-758-2.-netpng-1024x768.png\" alt=\"\" class=\"wp-image-4990\" srcset=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Frame-758-2.-netpng-1024x768.png 1024w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Frame-758-2.-netpng-300x225.png 300w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Frame-758-2.-netpng-768x576.png 768w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Frame-758-2.-netpng-1536x1152.png 1536w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Frame-758-2.-netpng-2048x1536.png 2048w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Frame-758-2.-netpng-1300x975.png 1300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>\u00a9<\/strong> Leherpeurparis  &#8211; &#8221; Ghost Estate&#8221; de Fran\u00e7oise Quardon <\/figcaption><\/figure>\n\n\n\n<p>Pendant cette semaine du 14 Octobre o\u00f9 l&#8217;art contemporain est \u00e0 l&#8217;honneur, le bureau s&#8217;est immerg\u00e9 dans les rendez-vous OFF d&#8217;Art Basel.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>\u00ab Le monde de l&#8217;art n&#8217;est pas celui de l&#8217;immortalit\u00e9, c&#8217;est celui de la m\u00e9tamorphose.<\/em> \u00bb<\/p>\n<cite><strong><em>Andr\u00e9 Malraux<\/em><\/strong><\/cite><\/blockquote>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">I \/ Quand l\u2019imaginaire fleurit, il devient un jardin artistique :<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"765\" height=\"1024\" src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-10.46.38-765x1024.png\" alt=\"\" class=\"wp-image-4917 size-full\" srcset=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-10.46.38-765x1024.png 765w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-10.46.38-224x300.png 224w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-10.46.38-768x1028.png 768w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-10.46.38-1147x1536.png 1147w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-10.46.38.png 1150w\" sizes=\"auto, (max-width: 765px) 100vw, 765px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-left\">L\u2019\u0153uvre &#8220;The Garden of Invention&#8221; de <strong>Wendy Cabrera Rubio<\/strong> vue au <em>Paris Internationale<\/em> est une pi\u00e8ce qui m\u00eale c\u00e9ramique, feutre brod\u00e9 \u00e0 la main&nbsp;et couleur en aplats vifs pour servir une narration critique. Cette \u0153uvre pr\u00e9sent\u00e9e comme une r\u00e9invention du jardin, devient un lieu de cr\u00e9ativit\u00e9, o\u00f9 la nature et les savoir-faire se rencontrent et se fondent dans un m\u00eame espace imaginaire.<\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Design-sans-titre-2.mp4\"><\/video><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">II \/ La f\u00e9minit\u00e9 et la vanit\u00e9 \u00e0 travers le cin\u00e9ma :<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/c7d6bf46-d81d-47c9-ad29-f03dec12602f-768x1024.jpg\" alt=\"\" class=\"wp-image-4895 size-full\" srcset=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/c7d6bf46-d81d-47c9-ad29-f03dec12602f-768x1024.jpg 768w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/c7d6bf46-d81d-47c9-ad29-f03dec12602f-225x300.jpg 225w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/c7d6bf46-d81d-47c9-ad29-f03dec12602f-1152x1536.jpg 1152w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/c7d6bf46-d81d-47c9-ad29-f03dec12602f-330x440.jpg 330w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/c7d6bf46-d81d-47c9-ad29-f03dec12602f.jpg 1200w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-left\">Dans le projet &#8220;Tales &amp; Tellers&#8221;, <strong>Miu Miu<\/strong> allie l\u2019art et le cin\u00e9ma comme un puissant outil d&#8217;empowerment. La marque offre aux femmes une voix dans l&#8217;espace public pour interroger la mani\u00e8re dont elles se pr\u00e9sentent \u00e0 travers leurs r\u00e9cits. Un cycle de conf\u00e9rences r\u00e9unissant des r\u00e9alisatrices du monde entier \u00e9tait propos\u00e9, en parall\u00e8le d&#8217;une exposition vivante o\u00f9 des mannequins incarnaient les h\u00e9ro\u00efnes de leurs courts m\u00e9trages.<\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Design-sans-titre-4.mp4\"><\/video><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">III \/ \u00ab Les objets nomades \u00bb au LV Dream :<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"757\" height=\"1024\" src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.00.26-757x1024.png\" alt=\"\" class=\"wp-image-4923 size-full\" srcset=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.00.26-757x1024.png 757w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.00.26-222x300.png 222w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.00.26-768x1039.png 768w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.00.26-1135x1536.png 1135w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.00.26.png 1150w\" sizes=\"auto, (max-width: 757px) 100vw, 757px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-left\">A l\u2019occasion du <strong>Design Miami.Paris 2024<\/strong>, dans l&#8217;espace LVDream, Louis Vuitton d\u00e9voile une exposition d\u00e9di\u00e9e \u00e0 sa collection \u00ab Objets Nomades \u00bb et \u00e0 sa collaboration avec le <strong>Est\u00fadio Campana<\/strong>. La suspension &#8220;Maracatu&#8221; symbolise le bagage culturel que l\u2019on transporte toujours avec soi. La forme, inspir\u00e9e par le baobab solitaire du d\u00e9sert de Namibie, fait r\u00e9f\u00e9rence aux racines et \u00e0 l\u2019h\u00e9ritage culturel. Les Fr\u00e8res Campana ont choisi des chutes de cuir <strong>LouisVuitton<\/strong> pour ajouter un suppl\u00e9ment d\u2019\u00e2me.<\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Design-sans-titre-3-1.mp4\"><\/video><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">IV \/ La tension des liens \u00e0 travers les relations humaines : <\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"772\" height=\"1024\" src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.12.11-772x1024.png\" alt=\"\" class=\"wp-image-4929 size-full\" srcset=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.12.11-772x1024.png 772w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.12.11-226x300.png 226w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.12.11-768x1018.png 768w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.12.11-1158x1536.png 1158w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.12.11.png 1166w\" sizes=\"auto, (max-width: 772px) 100vw, 772px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Pr\u00e9sent\u00e9 par <strong>le Prix Dior de la Photographie \u00e0 OFFSCREEN<\/strong>, <strong>Valentin Derom<\/strong> explore l\u2019intimit\u00e9 et la vuln\u00e9rabilit\u00e9 avec son \u0153uvre \u201cLittle Spoon\u201d. \u00c0 travers des photos de corps entrelac\u00e9s puis s\u00e9par\u00e9s, il questionne l\u2019impossibilit\u00e9 de l\u2019unit\u00e9 parfaite dans le couple. Son approche met en lumi\u00e8re la fragilit\u00e9 des relations humaines, jouant sur la tension entre proximit\u00e9 et distance.<\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Design-sans-titre-4-1.mp4\"><\/video><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">V \/ Interactions anecdotiques d&#8217;objets dans l&#8217;espace :<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"763\" height=\"1024\" src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.23.31-763x1024.png\" alt=\"\" class=\"wp-image-4933 size-full\" srcset=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.23.31-763x1024.png 763w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.23.31-224x300.png 224w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.23.31-768x1031.png 768w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.23.31-1145x1536.png 1145w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.23.31.png 1152w\" sizes=\"auto, (max-width: 763px) 100vw, 763px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Expos\u00e9e au <strong>Salon Paris International<\/strong>, <strong>Ir\u00e8ne Abello<\/strong> magnifie des ph\u00e9nom\u00e8nes naturels, tels que des toiles d\u2019araign\u00e9e baign\u00e9es<br>de ros\u00e9e, en les sortant de leur contexte pour r\u00e9v\u00e9ler leur beaut\u00e9 cach\u00e9e. Utilisant des mat\u00e9riaux comme l\u2019impression sur tissu translucide et des mati\u00e8res organiques, elle explore la lumi\u00e8re et la transparence pour cr\u00e9er des images fantasmagoriques. <strong>Abello <\/strong>tisse des liens entre ses \u0153uvres en les transformant en objets qui dialoguent avec l\u2019espace environnant.<\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Design-sans-titre-5.mp4\"><\/video><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">VI \/ D\u00e9cat\u00e9gorisation &amp; Objets R\u00e9enchant\u00e9s : <\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:52% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"764\" height=\"1024\" src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.32.59-764x1024.png\" alt=\"\" class=\"wp-image-4937 size-full\" srcset=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.32.59-764x1024.png 764w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.32.59-224x300.png 224w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.32.59-768x1029.png 768w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.32.59-1146x1536.png 1146w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.32.59.png 1152w\" sizes=\"auto, (max-width: 764px) 100vw, 764px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><br>Dans sa pratique, <strong>Jessi Reaves<\/strong> remet en question la cat\u00e9gorisation stricte des objets : elle modifie des meubles, comme des chaises ou des tables, de mani\u00e8re \u00e0 ce qu&#8217;ils ne correspondent plus \u00e0 la d\u00e9finition traditionnelle de &#8220;mobilier&#8221;. Ils deviennent intentionnellement impratiques, cr\u00e9ant une tension entre l&#8217;art et le design, la forme et la fonction. Son utilisation de mat\u00e9riaux r\u00e9cup\u00e9r\u00e9s, en particulier ceux montrant des signes d&#8217;usure, donne aux objets une histoire et une personnalit\u00e9 singuli\u00e8res, les transformant en nouvelles formes enchant\u00e9es.<\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Design-sans-titre-6.mp4\"><\/video><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">VII \/ Exp\u00e9rimentation visuelle du verre : <\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"1024\" src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.38.30-755x1024.png\" alt=\"\" class=\"wp-image-4943 size-full\" srcset=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.38.30-755x1024.png 755w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.38.30-221x300.png 221w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.38.30-768x1042.png 768w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.38.30-1133x1536.png 1133w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Capture-decran-2024-10-22-a-11.38.30.png 1140w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><br>Au sein de l\u2019exposition <strong>Waall 6<\/strong>, l\u2019artiste <strong>Flavie Audi <\/strong>utilise le verre comme point de d\u00e9part pour explorer les liens entre le monde physique et l&#8217;immat\u00e9riel. Cette mati\u00e8re devient un support qui rend visible l\u2019invisible, incarnant une dualit\u00e9 entre ces deux mondes. Ses \u0153uvres interrogent les propri\u00e9t\u00e9s du verre en cr\u00e9ant des fragments cosmiques et de nouvelles formations g\u00e9ologiques.<\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Design-sans-titre-7.mp4\"><\/video><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">VII \/ Focus sur l&#8217;Art Contemporain Asiatique : <\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"994\" src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/IMG_8955-2-1024x994.jpg\" alt=\"\" class=\"wp-image-4964 size-full\" srcset=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/IMG_8955-2-1024x994.jpg 1024w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/IMG_8955-2-300x291.jpg 300w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/IMG_8955-2-768x745.jpg 768w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/IMG_8955-2-1536x1490.jpg 1536w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/IMG_8955-2-2048x1987.jpg 2048w, https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/IMG_8955-2-1300x1261.jpg 1300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Asia NOW Paris Art Fair <\/strong>nous fait d\u00e9couvrir des cr\u00e9ateurs issus d\u2019Asie explorant les formes d&#8217;expression visuelles les plus avant-gardistes \u00e0 travers une diversit\u00e9 de techniques, telles que la peinture \u00e0 l&#8217;huile ou l&#8217;aquarelle sur soie. Dans l&#8217;\u0153uvre &#8220;Weeping Ficus, Trees&#8221; de <strong>Miyeon Yi<\/strong>, les couleurs renforcent une tension palpable entre int\u00e9rieur et ext\u00e9rieur, entre chaleur et froideur, et entre lumi\u00e8re et obscurit\u00e9, cr\u00e9ant ainsi des ambiances distinctes et contrast\u00e9es.<\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/leherpeurparis.com\/wp-content\/uploads\/2024\/10\/Design-sans-titre-8-1.mp4\"><\/video><figcaption class=\"wp-element-caption\">Clean Land no 2 &#8211; L\u00eana B\u00f9i<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Pendant cette semaine du 14 Octobre o\u00f9 l&#8217;art contemporain est \u00e0 l&#8217;honneur, le bureau s&#8217;est immerg\u00e9 dans les rendez-vous OFF d&#8217;Art Basel. \u00ab Le monde de l&#8217;art n&#8217;est pas celui [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":4990,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4875","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>En revue : Les rendez-vous OFF de l&#039;Art Basel | LeherpeurParis<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leherpeurparis.com\/en\/non-classifiee\/en-revue-les-rendez-vous-off-de-lart-basel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"En 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